1. As with SQ, and as detailed by RL, certain works are excluded from his SYM edition. We follow those exclusions.

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2.

The order of these additional cols. says nothing about the order or placement of the sections when performed, i.e. SYM #30 and #51 both have second trios, but they present differently, with

SYM #30 ordered as Minuet - Trio 1 - Trio 2 - dC; vs.

SYM #51 as Minuet - Trio 1 - DC 1 - Trio 2 - dC 2.

Given that SYM 51 is the only movement with two dCs, we refuse to provide an individual column.

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3.

An additional curious aspect, most probably unrelated to the structural issues that concern us, is the preponderance of C and D major in SYM (see table directly below), which may be due to wind instrument intonation problems. This preponderance does not appear to be related to “S” or “DL”.

Key

SQ

SYM

Total





C

11

24

35

C#

0

0

0

D

13

22

35

Eb

12

11

23

E

4

2

6

F

8

6

14

F#

1

1

2

G

11

13

24

Ab

0

0

0

A

5

8

13

Bb

13

10

23

B

2

0

2






80

97

177

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